每年到上海音乐厅聆听新年音乐会，在辞旧迎新中感受音乐氛围，已经是音乐厅与很多老朋友之间的默契。

 

2024年12月31日，施特劳斯家族音乐最正宗的演绎者之一 ——维也纳约翰施特劳斯管弦乐团又要来陪大家跨年啦！

 

指挥家约翰内斯·怀德纳领衔乐团，将于凯迪拉克·上海音乐厅为沪上乐迷呈现古典跨年盛宴。

 

 

维也纳约翰施特劳斯管弦乐团是施特劳斯家族音乐的最正宗的演绎者之⼀，在1966年，老约翰·施特劳斯创立施特劳斯乐团的120年后，维也纳广播管弦乐团的音乐家们对轻音乐的高质量演绎的追求，促使他们建立了维也纳约翰施特劳斯管弦乐团。乐团不仅以推广施特劳斯时期创作的音乐为使命，更将维也纳本土音乐发扬光大为己任。乐团有42名音乐家组成，这个编制与施特劳斯家族钟爱的乐队编制如出⼀辙，为观众演绎更为正宗纯正的施特劳斯家族⾳乐。

 

在过去几十年，乐团与多位著名指挥如弗拉基米尔·费多谢耶夫、法兰兹·鲍尔-瑟索、丁·西格哈特和奥拉·鲁德纳合作演出。自2008年起，维也纳约翰施特劳斯管弦乐团与奥地利指挥家约翰内斯·怀德纳紧密合作，2010年起，怀德纳和伊斯克共同担任乐团的常驻指挥。

 

自1981年起，维也纳约翰施特劳斯管弦乐团在维也纳金色大厅定期举行音乐会，并从1999年起在这个世界著名的音乐厅举办该乐团的系列音乐会。施特劳斯家族的作品一直以来都是维也纳新年音乐会的经典代名词，本次演出将为上海观众献上多首经典施特劳斯作品，如《蝙蝠》序曲，蓝色多瑙河圆舞曲等。

 

注：本场演出一人一票，儿童全票，怀抱婴儿谢绝入场

 

曲目单：

 

Johann Strauss II｜小约翰·施特劳斯（1825-1899）

 

Overture to Der Zigeunerbaron

轻歌剧《吉普赛男爵》序曲

 

Express, Polka schnell, Op.311

《特快列车》快速波尔卡，Op.311

 

Neues Leben, Polka Francaise, Op.278

《新生活》法兰西波尔卡，Op.278

 

Wein, Weib und Gesang, Waltz, Op.333

《美酒、佳人与欢歌》圆舞曲，Op.333

 

Annen, Polka schnell, Op.117

《安娜》快速波尔卡，Op.117

 

Gschichtn aus dem Wienerwald, Waltz, Op.325

《维也纳森林的故事》圆舞曲，Op.325

 

Intermission｜中场休息

 

Johann Strauss II｜小约翰·施特劳斯（1825-1899）

 

Overture to Waldmeister

轻歌剧《护林员》序曲

 

Tik Tak, Polka schnell, Op.365

《滴答》快速波尔卡，Op.365

 

Fledermaus Quadrille, Op.363

《蝙蝠四方舞》，Op.363

 

Furioso-Polka, Op.260

《激情波尔卡》，Op.260

 

Im Krapfenwald'l, Polka Francaise, Op.336

《在克拉普芬森林里》法兰西波尔卡，Op.336

 

An der schönen blauen Donau, Waltz, Op.314

《蓝色多瑙河》圆舞曲，Op.314

 

* The program is subject to change. 

曲目以演出当日为准

 

艺术家

 

乐团：维也纳约翰施特劳斯管弦乐团®

Orchestra: Vienna Johann Strauss Orchestra®

 

 

维也纳约翰施特劳斯管弦乐团是施特劳斯家族音乐以及同时代的其他维也纳作曲家作品的最纯正的演绎者之一。

 

在1966年，老约翰·施特劳斯创立施特劳斯乐团的120年后，人们对轻音乐的高质量演绎的追求，促使来自维也纳广播管弦乐团的音乐家们建立了维也纳约翰施特劳斯管弦乐团。乐团不仅以推广施特劳斯家族创作的音乐为使命，更将维也纳本土音乐发扬光大为己任。乐团由42名音乐家组成，这个编制深受施特劳斯家族钟爱和认可，以呈现更为正宗纯正的施特劳斯家族的作品。

 

在乐团成立那年，由小约翰·施特劳斯的侄孙爱德华·施特劳斯二世执棒，开展了为期六周的美国和加拿大巡演。以此巡演追寻并纪念著名的施特劳斯乐团的足迹，在爱德华·施特劳斯一世1901年于纽约解散该乐团前，施特劳斯乐团曾两度在美国和加拿大巡演。在爱德华二世——施特劳斯家族的最后一位专业音乐家逝世后，1968年威利·博斯科夫斯基接任乐团的首席指挥。威利·博斯科夫斯基的名字与维也纳新年音乐会的传统息息相关，成为维也纳新年音乐会的代表人物。在博斯科夫斯基的带领下乐团恢复了忙碌的巡演直至今日，乐团的足迹不仅遍及欧洲、美国、南美、韩国、俄罗斯、中国和日本。

 

威利·博斯科夫斯基时代也见证了唱片业开始活跃的时期，并在20世纪70年代达到顶 峰，当时奥地利广播电视公司（ORF）几乎灌录了施特劳斯家族的所有音乐。唱片数量达到近1000张，其中190张专辑被全球发行。

 

博斯科夫斯基逝世后，乐团主要由沃尔特·戈德施密特、鲁道夫·比布尔和库特·华斯担任指挥。随后，多位著名指挥家阿尔弗雷德·伊斯克韦、奥拉·鲁德纳、法兰兹·鲍尔-瑟索、马丁·西格哈特和约翰内斯·怀德纳继续接棒，传承着乐团的纯正及传统的演绎。自2008年起，维也纳约翰施特劳斯管弦乐团与奥地利指挥家约翰内斯·怀德纳紧密合作，2010年起，怀德纳和伊斯克韦共同担任乐团的常驻指挥。

 

自1981年起，维也纳约翰施特劳斯管弦乐团在维也纳金色大厅定期举行音乐会，并从1999年起在这个世界著名的音乐厅举办该乐团的乐季音乐会。乐团也在奥地利其他主要的音乐厅进行演出，包括林茨布鲁克纳音乐厅和格拉茨史蒂芬尼大厅。近期的亮点除了在奥地利的音乐会，乐团还在汉堡易北音乐厅、慕尼黑嘉斯台文化中心、格施塔德梅纽因音乐节和威斯巴登莱茵高音乐节精彩亮相。

 

The Vienna Johann Strauss Orchestra can rightly claim to be one of the most authentic ensembles for interpreting the music of the Strauss dynasty and other Viennese composers of their time at the highest level.

 

In 1966 — nearly 120 years after Johann Strauss I had founded the Strauss Orchestra, the great demand for high-quality interpretations of light music led a group of musicians in Vienna who belonged to the small ensemble of the Austrian Radio Orchestra to found the Vienna Johann Strauss Orchestra. The aim of new orchestra was to cultivate the music of the Strauss dynasty, together with so-called ‘light’ Viennese music. It was formed of forty-two musicians, that it to say the ensemble was the same size as that which, according to authentic accounts, was preferred by the members of the Strauss family.

 

In the year it was founded the orchestra made a six-week tour of America and Canada under the conductorship of Eduard Strauss II, the great-nephew of Johann Strauss II. In doing so it was following in the tracks of the famous Strauss Orchestra, with which Eduard Strauss I had made two concert tours of the USA and Canada before he disbanded the orchestra in New York in 1901. 

 

After the far too early death of the last professional musician of the Strauss dynasty, Eduard II, in 1968, the post of conductor was taken over by a man whose name is connected down to the present day with the tradition of the New Year’s Day concerts like that of no other: Willi Boskovsky.

 

Under his baton and bow there began a busy round of tours which still continues today and which has taken the orchestra not only right across Europe but also to the USA, South America, Korea, Russia, China and Japan.

 

The Boskovsky era also saw the beginning of increased activity in recording, reaching its peak in the 1970s, when almost the entire output of the Strauss dynasty was recorded for Austrian Radio (ORF). Meanwhile the number of recordings has reached almost 1,000 titles, with some 190 albums having been released worldwide.

 

After the death of Boskovsky, the orchestra was mainly under the direction of Walter Goldschmid, Rudolf Bibl and, above all, Kurt Wöss. Later, conductors such as Alfred Eschwé, Ola Rudner, Franz Bauer-Theussl, Martin Sieghart and Johannes Wildner stood and stand for authenticity and tradition. Since 2008 it has been working intensively with Johannes Wildner and since 2010 it is exclusively Wildner and Eschwé who have conducted the ensemble.

 

Since 1981 the Vienna Johann Strauss Orchestra has regularly given concerts in the Golden Hall of the Musikverein in Vienna, and since 1999 this has also been the venue for its own cycle of concerts. The orchestra also gives concerts in other major music centers in Austria, such as the Brucknerhaus in Linz and the Stefaniensaal in Graz. Recently, apart from their concerts in Austria, the orchestra has performed at the Elbphilharmonie in Hamburg, at the Gasteig in Munich, at the Menuhin Festival in Gstaad and at the Rheingau Festival in Wiesbaden.

 

指挥：约翰内斯·怀德纳

Conductor: Johannes Wildner

 

 

奥地利指挥家约翰内斯·怀德纳从2019/20乐季开始担任丹麦南日德兰交响乐团（Sønderjyllands Symphony Orchestra）的首席指挥。2013-2023的十年间，他担任维也纳音乐与表演艺术大学指挥系教授，以及在奥地利加尔斯城堡歌剧节任艺术总监。此前，这位拥有音乐学博士学位的音乐学家曾担任英国BBC音乐会管弦乐团的首席客席指挥（2010-2014）；在德国威斯特法利亚新爱乐乐团担任音乐总监（1997-2007），该乐团也是德国盖尔森基兴市立歌剧院的驻院歌剧乐团；在莱比锡歌剧院担任第一常驻指挥（1996-1998）；任布拉格国家歌剧院（1994-1995）以及斯洛伐克国家爱乐乐团的首席指挥（1990-1993）。

 

他作为维也纳爱乐乐团和维也纳国家歌剧院乐团成员的多年经验，使他的指挥具有独特的印记。

 

在怀德纳担任艺术总监的奥地利加尔斯城堡歌剧节上，他成功演出了多部歌剧制作，包括《唐·卡洛》《奥赛罗》《魔笛》《托斯卡》《菲德里奥》和《卡门》。在2023年的奥地利加尔斯城堡歌剧节，他执棒上演了威尔第的歌剧《阿依达》。

 

作为怀德纳与维也纳约翰施特劳斯管弦乐团定期合作的一部分，他频繁指挥乐团在维也纳金色大厅、德国汉堡易北爱乐厅等进行演出，并在中国、日本和韩国进行巡演。

 

作为客席指挥，他与世界多个著名乐团保持长期合作，如伦敦皇家爱乐乐团、圣彼得堡爱乐乐团、俄罗斯国家交响乐团、巴伐利亚广播交响乐团、MDR交响乐团、德国波恩贝多芬交响乐团、维也纳交响乐团、维罗纳露天歌剧院管弦乐团、巴勒莫西西里交响乐团、丹麦哥本哈根国家交响乐团、卑尔根爱乐乐团、阿纳姆爱乐乐团、新西兰交响乐团、墨西哥国家交响乐团、台湾爱乐乐团、中国爱乐乐团、上海交响乐团、香港管弦乐团和东京爱乐乐团。

 

作为一位备受追捧的歌剧和轻歌剧指挥家，约翰内斯·怀德纳在闻名世界的歌剧院以及歌剧节上执棒歌剧，包括布拉格国家歌剧院、莱比锡歌剧院（电视录制莫扎特歌剧《费加罗的婚礼》和歌剧《女人心》）、德国盖尔森基兴市立歌剧院、维也纳人民剧院、格拉茨、萨尔茨堡和林茨歌剧院、哈雷歌剧院、意大利维罗纳露天歌剧院、东京新国立剧场、热那亚卡洛·费利切剧院、克罗地亚国家剧院、立陶宛歌剧院、布加勒斯特国家剧院、布拉迪斯拉发国家歌剧院、布尔诺国家剧院、柏林大都会剧院、孟买的国家大剧院，以及威尔斯瓦格纳音乐节、默比施海事节、维也纳夏季音乐节“莫扎特在美泉宫”、卡林西亚夏季音乐节、圣玛格丽特歌剧节、墨西哥瓜达拉哈拉五月音乐节。

 

约翰内斯·怀德纳录制了100多张CD，DVD和视频，涵盖了广泛的歌剧和音乐会曲目，包括由拿索斯厂牌发行的完整版的施特劳斯轻歌剧《蝙蝠》和莫扎特轻歌剧《女人心》，比才歌剧《卡门》、布鲁克纳《第三交响曲》（所有版本）和《第九交响曲》（第四乐章为重建版）的现场录音，由索尼旗下RCA Red Seal发行的与维也纳广播交响乐团和钢琴家列夫·维诺库尔联合录制的罗伯特·舒曼全套钢琴与乐队作品，由华纳唱片发行的与台北交响乐团联合录制的贝多芬《第七交响曲》和《小提琴协奏曲》（小提琴：亚历山大·达·科斯塔）。怀德纳的很多录音都展现了他对鲜少为观众所知的或被遗忘的音乐的探索，包括与维也纳广播交响乐团为CPO录制的埃里希·泽索、约瑟夫·马克思、约翰·尼伯姆克·大卫等作曲家的作品，与格拉茨爱乐乐团录制的约瑟夫·马克思的《秋季交响曲》，与英国BBC乐团为Dutton 厂牌录制的弗雷德里克·德朗热、瓦尔特·布朗费尔斯、查尔斯·马丁·勒夫勒的作品。

 

约翰内斯·怀德纳曾在维也纳和帕尔马学习小提琴以及音乐学，并师从卡尔·奥斯特拉切尔、奥特玛尔·舒特纳和弗拉基米尔·德尔曼学习指挥。

 

The Austrian conductor Johannes Wildner has been Chief Conductor of the Sønderjyllands Symphony Orchestra in Sønderborg (DK) since 2019/20. From 2013-2023 he also was a University Professor for Conducting at the University of Music and Performing Arts in Vienna, as well as the artistic director of the Austrian opera festival Oper Burg Gars. In the years before, the musicologist, who holds a doctorate in musicology, was Principal Guest Conductor of the BBC Concert Orchestra in London (2010-2014), General Music Director of the New Philharmonic Orchestra of Westphalia, which is also the opera orchestra of the Musiktheater im Revier (1997-2007), First Permanent Conductor of the Leipzig Opera (1996-1998), as well as Chief Conductor of the Prague State Opera (1994-1995) and the Slovak State Philharmonic Orchestra Košice (1990-1993).

 

His years of experiences as a member of the Vienna Philharmonic and the Vienna State Opera Orchestra have given his conducting a distinctive stamp.

 

In the Festival Oper Burg Gars, which he directs, Wildner conducted Verdi’s Aida as his last production in Gars in 2023 after the very successful productions of Don Carlo, Otello, Magic Flute, Tosca, Fidelio and Carmen.

 

As part of his collaboration with the Vienna Johann Strauss Orchestra, Johannes Wildner regularly performs at the Vienna Musikverein, the Elphilharmonie Hamburg and on tour in China, Japan and Korea.

 

As a guest conductor, he regularly appears on the rostrum of major orchestras such as the Royal Philharmonic Orchestra London, the St. Petersburg Philharmonic Orchestra. the Russian State Symphony Orchestra, the Bavarian Radio Symphony Orchestra, the MDR Symphony Orchestra, the Beethoven Orchestra Bonn, the Vienna Symphony Orchestra, the Orchestra of the Arena di Verona, the Orchestra Sinfonica Siciliana in Palermo, the Danish National Symphony Orchestra Copenhagen, the Bergen Philharmonic Orchestra, the Gelders Orkest in Arnhem, the New Zealand Symphony Orchestra, the Orquesta Sinfónica Nacional de Mexico, the Taiwan Philharmonic Orchestra, the China Philharmonic, the Shanghai Symphony, the Hong Kong Philharmonic and the Tokyo Philharmonic Orchestra.

 

As a sought-after opera and operetta conductor, Johannes Wildner has conducted not only at the Prague State Opera, the Leipzig Opera (TV recordings of Mozart’s Marriage of Figaro and Così fan tutte) and the Musiktheater im Revier/Gelsenkirchen, but also at the Vienna Volksoper, the Graz, Salzburg and Linz Opera Houses, the Halle Opera, the Arena di Verona, the New National Theater Tokyo, the Teatro Carlo Felice in Genoa, the Croatian National Theater Zagreb, the Lithuanian Opera in Vilnius, the National Theater in Bucharest, the National Opera Bratislava, the Brno National Theater, the Metropol Theater Berlin, the NCPA in Mumbai, as well as at the Wagner Festival in Wels, the Seefestspiele Mörbisch, the Vienna Summer Festival “Mozart in Schönbrunn”, the Carinthian Summer Festival, the Opera Festival St. Margarethen and the “Festival de Mayo” in Guadalajara/Mexico.

 

Johannes Wildner recorded over 100 CDs, DVDs and videos with a wide opera and concert repertoire, including the complete recordings of Die Fledermaus, Così fan tutte for Naxos and a live recording of Bizet’s Carmen, Bruckner’s 3rd (in all versions) and 9th Sinfonie (with reconstructed 4th movement) and the complete works for piano and orchestra by Robert Schumann with the ORF-RSO Vienna and Lev Vinocour for Sony RCA Red Seal, and Beethoven’s 7th Symphony and his Violin Concerto with Alexandre da Costa and the Taipei Symphony Orchestra for Warner. Numerous recordings also document his interest in rarely-played or forgotten music: Works by Erich Zeisl, Joseph Marx and Johann Nepomuk David with the ORF-RSO Vienna for CPO; Joseph Marx’ “Autumn Symphony” with the Graz Philharmonic, and works by Frédéric d’Erlanger, Walter Braunfels or Charles Martin Loeffler with the BBC Orchestra for Dutton Records.

 

Johannes Wildner studied conducting (with Karl Österreicher, Otmar Suitner and Vladimir Delman), violin and musicology in Vienna and Parma.